Dreamed 1987/11/21 by Chris Wayan
THAT DAY
I saw SIXTEEN CANDLES with Molly Ringwald. She's sweet, if a bit sappy--seeking a romantic fantasy of love that seems strictly symbolic to me.
But the other characters are embarrassing. The piggish student who just eats drinks and fucks (or tries)... what a cliche! And the Asian student is worse: an insulting, racist cartoon. I'm amazed Hollywood thinks we're still at this level.
THAT NIGHT
On a long journey, I return to a courtyard I've seen before. Molly Ringwald is there, staring uneasily at an addition to the fountain. A smallish, pale-gray, spotted pig, tied to an elastic cord, hangs from a high beam, right over the water jet. The pig bobs; a living yo-yo. It's in pain: the jet, under the water, has several narrow metal prongs like a giant's fork or a trident. I wonder if the pig's spots are really scars. Every time the pig struggles, it changes the yoyo rhythm, usually for the worse. But what if the pig gets lucky and squirms exactly out of phase? It'd stop hitting the spikes! Then it could work on breaking or twisting out of its bonds. But right now, it's shrieking in pain, hitting bottom hard and being bruised and cut. Horrible to watch, yet we can't see how we could reach it...
And then the pig gets lucky--damps the bounce! The pig squirms loose of its bonds and falls in the pool for the last time. It lies half-under, stunned... or dead.
It raises its head. Just stunned, then. The pig gets up... and charges toward us, furious and seeing no one else to blame for its torment. We leap onto a table and pull our feet up. It circles, growling and snorting, looking for revenge...
And then... the pig turns human.
NOTES WHEN I WAKE
Let myself go. Let myself go. Let myself go.
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