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Marianne's Dream

Dreamed 1817? by Marianne Hunt; poem 1817 by her friend Percy Shelley

1.
A pale Dream came to a Lady fair,
And said, A boon, a boon, I pray!
I know the secrets of the air,
And things are lost in the glare of day,
Which I can make the sleeping see,
If they will put their trust in me.

2.
And thou shalt know of things unknown,
If thou wilt let me rest between
The veiny lids, whose fringe is thrown
Over thine eyes so dark and sheen:
And half in hope, and half in fright,
The Lady closed her eyes so bright.

3.
At first all deadly shapes were driven
Tumultuously across her sleep,
And o'er the vast cope of bending heaven
All ghastly-visaged clouds did sweep;
And the Lady ever looked to spy
If the golden sun shone forth on high.

4.
And as towards the east she turned,
She saw aloft in the morning air,
Which now with hues of sunrise burned,
A great black Anchor rising there;
And wherever the Lady turned her eyes,
It hung before her in the skies.

5.
The sky was blue as the summer sea,
The depths were cloudless overhead,
The air was calm as it could be,
There was no sight or sound of dread,
But that black Anchor floating still
Over the piny eastern hill.

6.
The Lady grew sick with a weight of fear
To see that Anchor ever hanging,
And veiled her eyes; she then did hear
The sound as of a dim low clanging,
And looked abroad if she might know
Was it aught else, or but the flow
Of the blood in her own veins, to and fro.

7.
There was a mist in the sunless air,
Which shook as it were with an earthquake's shock,
But the very weeds that blossomed there
Were moveless, and each mighty rock
Stood on its basis steadfastly;
The Anchor was seen no more on high.

8.
But piled around, with summits hid
In lines of cloud at intervals,
Stood many a mountain pyramid
Among whose everlasting walls
Two mighty cities shone, and ever
Through the red mist their domes did quiver.


9.
On two dread mountains, from whose crest,
Might seem, the eagle, for her brood,
Would ne'er have hung her dizzy nest,
Those tower-encircled cities stood.
A vision strange such towers to see,
Sculptured and wrought so gorgeously,
Where human art could never be.

10.
And columns framed of marble white,
And giant fanes, dome over dome
Piled, and triumphant gates, all bright
With workmanship, which could not come
From touch of mortal instrument,
Shot o'er the vales, or lustre lent
From its own shapes magnificent.

11.
But still the Lady heard that clang
Filling the wide air far away;
And still the mist whose light did hang
Among the mountains shook alway,
So that the Lady's heart beat fast,
As half in joy, and half aghast,
On those high domes her look she cast.

12.
Sudden, from out that city sprung
A light that made the earth grow red;
Two flames that each with quivering tongue
Licked its high domes, and overhead
Among those mighty towers and fanes
Dropped fire, as a volcano rains
Its sulphurous ruin on the plains.

13.
And hark! a rush as if the deep
Had burst its bonds; she looked behind
And saw over the western steep
A raging flood descend, and wind
Through that wide vale; she felt no fear,
But said within herself, 'Tis clear
These towers are Nature's own, and she
To save them has sent forth the sea.

14.
And now those raging billows came
Where that fair Lady sate, and she
Was borne towards the showering flame
By the wild waves heaped tumultuously.
And, on a little plank, the flow
Of the whirlpool bore her to and fro.

15.
The flames were fiercely vomited
From every tower and every dome,
And dreary light did widely shed
O'er that vast flood's suspended foam,
Beneath the smoke which hung its night
On the stained cope of heaven's light.

16.
The plank whereon that Lady sate
Was driven through the chasms, about and about,
Between the peaks so desolate
Of the drowning mountains, in and out,
As the thistle-beard on a whirlwind sails--
While the flood was filling those hollow vales.


17.
At last her plank an eddy crossed,
And bore her to the city's wall,
Which now the flood had reached almost;
It might the stoutest heart appall
To hear the fire roar and hiss
Through the domes of those mighty palaces.

18.
The eddy whirled her round and round
Before a gorgeous gate, which stood
Piercing the clouds of smoke which bound
Its aery arch with light like blood;
She looked on that gate of marble clear,
With wonder that extinguished fear.

19.
For it was filled with sculptures rarest,
Of forms most beautiful and strange,
Like nothing human, but the fairest
Of winged shapes, whose legions range
Throughout the sleep of those that are,
Like this same Lady, good and fair.

20.
And as she looked, still lovelier grew
Those marble forms--the sculptor sure
Was a strong spirit, and the hue
Of his own mind did there endure
After the touch, whose power had braided
Such grace, was in some sad change faded.

21.
She looked, the flames were dim, the flood
Grew tranquil as a woodland river
Winding through hills in solitude;
Those marble shapes then seemed to quiver,
And their fair limbs to float in motion,
Like weeds unfolding in the ocean.

22.
And their lips moved; one seemed to speak,
When suddenly the mountains cracked,
And through the chasm the flood did break
With an earth-uplifting cataract:
The statues gave a joyous scream,
And on its wings the pale thin Dream
Lifted the Lady from the stream.

23.
The dizzy flight of that phantom pale
Waked the fair Lady from her sleep,
And she arose, while from the veil
Of her dark eyes the Dream did creep,
And she walked about as one who knew
That sleep has sights as clear and true
As any waking eyes can view.

EDITOR'S NOTE

Online comments seem to see this poem as a parody of dream-narratives as a genre. But the images (a levitating anchor? that's not satirical, just mysterious--more Magritte than Shelley) look to me like a real dream. And if Marianne is a fictional character, where is she in the poem? The title makes the most sense simply as "the dream of a friend named Marianne". And in fact Shelley knew one: "Diary of an Autodidact", an anonymous blog at https://fiddlrts.blogspot.com/2014/04/percy-bysshe-shelley-miscellaneous.html says Marianne's Dream "describes a dream told to him by a Mrs. Hunt, the "Marianne" of the title."

I don't know Autodidact's source for that, but Leigh Hunt was Shelley's close friend; he and Mary certainly did know Hunt's wife Marianne. Had Shelley titled a poem "Leigh's Dream" or "Mary's Dream" we'd take that at face value; so I take this attribution to his less famous friend as literal too.

Here's William Hazlitt in the Edinburgh Review #40 (July 1824) pp. 494-514:

"The Witch of Atlas, the Triumph of Life, and Marianne's Dream, are rhapsodies or allegories... full of fancy and of fire, with glowing allusions and wild machinery, but which it is difficult to read through, from the disjointedness of the materials, the incongruous metaphors and violent transitions, and of which, after reading them through, it is impossible, in most instances, to guess the drift or the moral. They abound in horrible imaginings, like records of a ghastly dream..."
Exactly. Marianne's Dream feels like a dream record--because it is. Yes, it's "impossible to guess the drift or the moral"--out of context! If someone digs up a journal entry or letter by Marianne Hunt giving her own take on her dream, then that floating anchor, these mountaintop cities erupting in fire, the great flood, and the winged statues coming to life could all reveal meanings we can only guess at.

--Chris Wayan



LISTS AND LINKS: surrealism - mountains - cities - fires, floods & quakes - boats & rafts - sculpture - birds or angels? - statues come alive! - rescued - flying again - dream poems - friends - collaborations - 12 years earlier, Robert Southey's similar apocalypse/statuary/flying dream: Creating Wings - 93 years later, a more famous cross-gender dream-collaboration: Rousseau's great painting The Dream - more (& better-focused) Romantic dream-poems: Keats's La Belle Dame Sans Merci, Byron's dream & Coleridge's Kubla Khan

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